The In | May 15, 2007 8:00 @ Mirasol
By: James Nokes
Muggy summertime  patio gazing meets the clink and sizzle of Latin dining when Marisol opens its  doors in the Loop on May 15 at 8:00 for Ceviches, Tapas, and the acoustic  wanderings of the In, who for the first time have traded in their electric fuzz  for a more vulnerable show. 
Taking a hint from  singer-songwriters Mason Jennings, Martin Sexton, and more recently, Bright  Eyes, vocalist Nathan Graves, bassist Dan Huck, drummer Mike Schurck, and  saxophonist Chris Wilson have decided to brave a sound that, frankly, leaves  them a little bit scared. 
“We talked for a  long time about wanting to do something laid back,†Graves said, “because we  always felt our music was well-geared for a more scaled back sound. It’s a  chance to bring out our talents and very different from the past, since all the  songs are getting back to the roots in terms of where they have been written  from.â€
Coming from  old-school blues influences with injections of Radiohead, John Coltrane, and  Muse, the In deliver a strange marriage of hip-hop, rap, Americana, split  singing, and simplistic rhythms that ever since their first official performance  at the Pageant shaped the way the band would progress. “That show was pivotal to  the direction that were going to be taking from there,†Graves  said.
Perhaps scariest for  the four will be the chance for new audiences and the fear that follows a fresh  performance. “New people will be hearing us,†Grave said, “and any time there is  a change like that, it opens us up to a lot of learning and new challenges. It’s  a challenge we all face, and as a vocalist and guitar player you have to think  about different things like the touch of fingers on an acoustic instrument and  what is coming out of the sound hole.â€
Wilson has  always had the idea of fans in flux at the back of his mind. “If you’re going to  pull some people in, you’re going to push some people away too,†Wilson said. In  a city where the music scene is so small, Wilson said, “There’s not a lot of  room for pretenders.†If they suck, the fans will know. Fortunately for the In,  who have had a fair amount of success in the past, the band probably hasn’t too  much to worry about. Acoustic sets are just another way to prove your worth,  nothing to hide behind, “nothing to get lost in a big rock show,†Huck  added.
These kinds of  performances turn musicians into nitpickers “I went back to my influences,† Graves said, “seeing how they took in thoughts and ideas and how they turned a  phrase and held a melody. Yeah, I’m a little bit nervous, but in a way, that’s a  good thing, because it’s one of those challenges that you know you’re better for  having completed.†
“Really, the show  will be what we do already, just stripped down, back to basics, which is kinda  cool,†Graves said. “Hopefully the change will rejuvenate us and get us to  rethink what we do,†he added. Huck, who seemed genuinely in love with the idea  of acoustic play said that, “The great thing about an acoustic show is the  ability to express the soul of a song in a more intimate way.†With the  high-energy of the In’s previous performances, audience members have not yet had  the chance to see the band raw and exposed, but, “With a show like this,†Graves  said, “we hope fans will be able to experience all the different textures of our  songs. It’s a chance to hear us again in a different way.â€
And if by chance  audience members don’t feel as positively as fans at the In’s previous  performances, no matter. “It’s all about having fun, and if you’re having fun,† Huck said, “nobody can really throw a stone.†
